Birdsong
Stage Version by Rachel Wagstaff
It is a little over 30 years since Sebastian Faulks first published his novel Birdsong. In that time, millions of readers have connected with the epic story of love, war and the man-made tunnels that ran 60 feet underground on the western front.
Last night, I had the pleasure of attending the press night for Birdsong, the stunning stage production based on Sebastian Faulks’ iconic novel and directed by Alastair Whitley. Playing at Bath’s Theatre Royal until 30th November, this adaptation proved to be a moving and beautifully executed piece of theatre.
Last night, I had the pleasure of attending the press night for Birdsong, the stunning stage production based on Sebastian Faulks’ iconic novel and directed by Alastair Whitley. Playing at Bath’s Theatre Royal until 30th November, this adaptation proved to be a moving and beautifully executed piece of theatre.
The show captures the raw emotion, love, and loss of Faulks’ story, bringing the trenches of World War I and the haunting beauty of human connection to vivid life. From the first moment, I was drawn in by the sheer talent of the cast, who delivered deeply heartfelt performances that resonated with every person in the audience.
The critically acclaimed play, adapted for the stage by Rachel Wagstaff and directed by Alastair Whatley (Original Theatre), features a cast of thirteen. The whole cast of Birdsong deserves immense praise, with standout performances that truly enhanced the depth and impact of the production. James Esler brought a striking depth and vulnerability to his role, capturing the complexities of love and duty with remarkable nuance. Max Bowden was equally compelling, delivering moments of quiet strength and raw emotion that left a lasting impression. Charlie Russell brought grace and warmth to her portrayal, her performance a beacon of light amidst the play’s darker themes. Meanwhile, Tama Phethean was a force to be reckoned with, embodying his character with a commanding presence that balanced intensity and humanity. Each of these actors brought their roles to life with such authenticity that their stories felt so real. The staging and lighting design were flawless, perfectly complementing the narrative’s transitions between past and present.
The critically acclaimed play, adapted for the stage by Rachel Wagstaff and directed by Alastair Whatley (Original Theatre), features a cast of thirteen. The whole cast of Birdsong deserves immense praise, with standout performances that truly enhanced the depth and impact of the production. James Esler brought a striking depth and vulnerability to his role, capturing the complexities of love and duty with remarkable nuance. Max Bowden was equally compelling, delivering moments of quiet strength and raw emotion that left a lasting impression. Charlie Russell brought grace and warmth to her portrayal, her performance a beacon of light amidst the play’s darker themes. Meanwhile, Tama Phethean was a force to be reckoned with, embodying his character with a commanding presence that balanced intensity and humanity. Each of these actors brought their roles to life with such authenticity that their stories felt so real. The staging and lighting design were flawless, perfectly complementing the narrative’s transitions between past and present.
I was lucky enough to bring a friend along with me for last night’s performance, and we were both captivated by the poignant storytelling and the richness of the production. The Theatre Royal Bath provided the perfect setting for such an evocative play, and I am truly grateful for the opportunity to attend. As always, they welcomed us with warmth and VIP treatment! We had a great view from the stalls, in seats M11 and M12 which I recommend as an ideal position in this beautiful cosy theatre. Thanks again to the Theatre Royal Bath for inviting me along to watch the show on press night.
If you’re able to catch Birdsong before its run ends on 30th November, I wholeheartedly recommend it. This is a show that will stay with you long after the curtain falls.